The KhroniclesThe Bilingual Community Newspaper |
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'Η Δίγλωσση Τοπική Εφημερίδα ΣαςΤα Χρονικά |
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| ISSUE NO. 30 | OCTOBER 2008 | WWW.KO-GO.GR | ||
The KhroniclesA division of Ko-Go ΕπιχειρήσειςBox 332 Publisher:Sofia Klidi Editor:Lou Duro Associate Editors:Tony & Christine Bowes Web Editor John McLaren Contributors/
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Part
Two:
The other theatrical show which particularly moved me is Pandeli Horn’s
The Fyntanaki, directed by yet
another paid-by-the hour professor, Korina Vafiathou.
The story unfolds with the main characters standing in a courtyard; the
poor, the insignificant and the honest on one side, the femme fatale, the
rich exploiter, the insignificant nouveau riche on the other.
Here we deal with a touching attribution of feelings where the spectator is
led to a progressive awareness of the social status and its rules, which
many times determine human relations in a psychologically coerced and
corrupt manner.
The
director comments in the program: “Our creed is to always respect our public. For this we begin our tour with a diachronic play, by one of the leaders of the Greek theatre, Pandeli Horn. We transport it to the 50s, a little after the end of the civil war, a difficult time for our homeland. |
“Someone to talk about during this period is the curious Mr. Yiavrousis, the
moneyman in the play, who speaks with a foreign accent, a reference to the
foreign factor, which during that period makes its presence known in our
homeland. We believe that the memories of the old-timers will awaken while
the young will get to know an unknown period though the situations are
perhaps a little familiar.
“And it’s this invaluable information that the
theater brings to our society.
It’s a gate that leads people to the knowledge and realization of situations
and conditions that otherwise they would not have known.”
The
players acted in difficult roles that demanded concentration, co-ordination
and continuous vigilance. The final result convinced us of the success of
the objective sought by the director: respect towards the public, as the
audience spontaneously applauded all through the duration of the play.
All
primary and secondary actors competently filled the requirements of their
difficult roles and they all contributed to the play’s success.
I
congratulate them all - in both plays.
I wish
them well and don’t anyone be intimidated because . . . “beauty will save
the world” – Dostoyevsky. |